Daniel pierre - saksofoni õpetaja - New York
1. tund tasuta
Daniel pierre - saksofoni õpetaja - New York

Üks meie parimaid õpetajaid. Kvaliteetne profiil, kinnitatud diplom, garanteeritud vastus. Daniel pierre korraldab teie esimese õppetunni aines Saksofon ülima tähelepanelikkusega.

Daniel pierre

Üks meie parimaid õpetajaid. Kvaliteetne profiil, kinnitatud diplom, garanteeritud vastus. Daniel pierre korraldab teie esimese õppetunni aines Saksofon ülima tähelepanelikkusega.

  • Hind 34 €
  • Vastamisaeg 2 h
  • Õpilasi

    Õpilaste arv, keda Daniel pierre on Superprofis õpetanud

    16

    Õpilaste arv, keda Daniel pierre on Superprofis õpetanud

Daniel pierre - saksofoni õpetaja - New York
  • 5 (28 hinnangut)

34 €/h

1. tund tasuta

Võta ühendust

1. tund tasuta

1. tund tasuta

  • Saksofon
  • Klarnet
  • Flööt
  • Plokkflööt

Veebipõhine saksofoni, klarneti, flöödi ja plokkflöödi õpetaja — tunnid ainult inglise keeles — muusika bakalaureus, üle 20 aasta kogemust õpetamises ja esinemistes.

  • Saksofon
  • Klarnet
  • Flööt
  • Plokkflööt

Tunni asukoht

Saadik

Üks meie parimaid õpetajaid. Kvaliteetne profiil, kinnitatud diplom, garanteeritud vastus. Daniel pierre korraldab teie esimese õppetunni aines Saksofon ülima tähelepanelikkusega.

Õpetaja Daniel pierre kohta

Olen veebipõhine õpetaja, kes annab tunde ainult inglise keeles puhkpillidele. Pakun saksofoni, klarneti, flöödi ja plokkflöödi tunde Zoomi kaudu lastele ja täiskasvanutele vanuses 5 kuni 81 aastat, ka ilma varasema muusikalise kogemuseta.

Tunnid toimuvad individuaalselt, personaalses tempos ja on täielikult kohandatud iga õpilase järgi, rõhuga kannatlikkusel, korrektsel helitekitamisel ja mängurõõmul.
Õpetan tuntud ja armastatud lugude abil, et õpilased saaksid mängida juba algusest peale ja luua tugeva muusikalise aluse.

Tunnid sobivad nii algajatele kui ka edasijõudnutele ning võimaldavad mugavat muusikaõpet kodust Zoomi kaudu, koos personaalse juhendamise ja individuaalse õppekavaga.
Jeruusalemma Muusikaakadeemia lõpetaja, silmapaistev muusik sõjaväeteenistuse ajal, üle 20 aasta kogemust õpetamises ja esinemistes nii kodu- kui välismaal.

Veebitunnid saksofonis, klarnetis, flöödis ja plokkflöödis on ideaalsed neile, kes otsivad professionaalset ja kogenud õpetajat, personaalset lähenemist ja korrektset arengut.

Vaata rohkem

Tunni kohta

  • Kõik tasemed
  • eesti keel

Kõik keeled, milles õppetundi on võimalik läbi viia :

eesti keel

Tund toimub ainult inglise keeles, Zoomi kaudu veebis ja vastavalt õpilase arengutempole. Tundide ajal kasutame digitaalseid õppematerjale raamatutest, mille saadan õpilasele WhatsAppi kaudu, ning töötame ekraani jagamise abil; soovi korral võib õpilane tellida ka raamatu füüsilise koopia.

Esimestes tundides õpetan instrumendi õiget hoidmist ja mängutehnikat. Kui õpilane saavutab kontrolli heli üle, liigume edasi saadetud õppematerjalidega.

Kõik tunnid toimuvad suure kannatlikkuse ja tähelepanuga õpilase ning tema vajaduste suhtes; minu eesmärk on toetada õpilase isiklikke eesmärke.

Pärast iga tundi saadan WhatsAppi kaudu kirjalikud kodused harjutused, mis valmistatakse ette järgmiseks tunniks.
Samuti aitan õpilast sobiva instrumendi rentimisel või ostmisel ning nõustan vajalike tarvikute osas.

Vaata rohkem

Hinnad

Hind

  • 34 €

Tunnipakettide hinnad

  • 5 tundi: 172 €
  • 10 tundi: 344 €

veebitund

  • 34 €/h

tasuta tunnid

Daniel pierre pakub esimest õppetundi tasuta, mis võimaldab teil üksteist tundma õppida ja individuaalses lähenemises kokku leppida.

  • 1h

Daniel pierre - video

Lisateave õpetaja Daniel pierre kohta

Lisateave õpetaja Daniel pierre kohta

  • When did you first develop a passion for music and your instrument?

    I grew up in a family of musicians. Even while I was still in my mother’s womb, I was listening to Mozart, Beethoven, many other classical composers, and jazz music at home and at concerts where my father performed.
    My father was a professional oboist in the Israeli National Chamber Orchestra, but he was also a saxophonist. While studying for his bachelor’s and master’s degrees at Juilliard in New York, my father's dream was to become a jazz saxophonist.
    I heard my dad play the saxophone a lot at home and during holiday events he produced for the community at our kibbutz in Israel. At the age of 13, after giving up on the cello, I asked him to teach me the saxophone. He let me play his vintage alto saxophone, which I still play and teach with to this day. That’s how my first passion for the saxophone began.
  • Is there a particular type of music or artist that you listen to on a loop without it driving you crazy?

    When I’m mopping the floor, washing dishes, cooking, or just relaxing with my girlfriend in the evening, I can listen for hours to saxophone solos by John Coltrane, Cannonball Adderley, and Gerry Mulligan.
    I imagine their solos as casual conversations they’re having with their friends—and with me. I invent dialogues and monologues in my head that take place within the solo. It keeps me engaged, develops my imagination, relieves boredom, and makes me feel like they’re speaking directly to me.
  • Explain to us the most difficult or riveting course you could personally give to a student of music.

    Preparing a classical piece for a saxophone audition—such as Alexander Glazunov: Concerto in E-flat Major, Op. 109 for Alto Saxophone and Orchestra—can be one of the most difficult, fascinating, and challenging courses I could offer a student.
    If the student is truly preparing to perform the piece as a soloist with an orchestra, the challenge becomes even greater. Preparing students for solo concerts on flute, clarinet, or recorder can be just as demanding and rewarding.
  • What do you think is the most complicated instrument to master and why?

    Each of the instruments I teach is complex to fully master when you aim for a high professional level.
    On the saxophone, the main difficulty is playing softly, especially in the low register.
    On the clarinet, the challenge lies in the throat tones and the transitions between octaves.
    On the flute, it is difficult to play with the same intensity and control across all registers.
    On the recorder, the main challenge is breath control, since it is extremely sensitive to changes in airflow.

    If I had to choose one instrument that is the most difficult to fully master at a high performance level, it would be the clarinet, because the transitions between the first and second octaves are particularly demanding and require a very high level of technical skill.
  • What are your keys to success?

    My keys to success are, first and foremost, humility—understanding that you don’t know everything and that there is always something to learn from others—along with hard work, perseverance, and a constant striving for excellence.
  • Name three musicians you dream of meeting in your favourite bar in the early hours of the morning. Explain why.

    I’m not really the type who goes to bars in the early hours of the morning, and I’m quite cautious around drunk people, especially in the city rather than in my kibbutz community, where I know everyone.
    But if I had to choose musicians I’d dream of meeting in a bar late at night, they would be female singers I deeply admire, such as Blondie (Deborah Ann Harry), Anni-Frid Lyngstad from ABBA, and James the Seventh who sings Trauma Olympics.
  • Provide a valuable anecdote related to music or your days at music school.

    I didn’t originally plan to pursue a bachelor’s degree in music, but my saxophone professor suggested that I join the Jerusalem Saxophone Quartet—an internationally recognized ensemble—while I was serving in a special talent role in the army.
    The condition for joining the quartet was to be a student at the Jerusalem Academy of Music. That’s how I began my studies there. For two years, I played in the academy’s flagship ensemble. The academy funded our flights worldwide, and we represented it in prestigious concerts for government institutions and international audiences. Other students admired us greatly.
  • What are the little touches that make you a Superprof in music?

    I am a musician with over 30 years of experience on saxophone, flute, clarinet, and recorder. I come from a long and rich family tradition of musicians. Studying with me means learning from a true expert—someone with great patience and genuine love for his students and for the wind instruments he teaches.
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